Tuesday 15th November – Tickets £10.00
Aynsley has never been an artist to reheat the music of yesteryear. Influenced from an early age by the 60’s RnB era, Lister takes these key elements and mixes them with a more current and melodic lyrical approach.
He is one of very few artists playing blues infused rock with a modern edge -tangible, heartfelt, soul searching and full of fine songwriting; played with passion and vitality. His hard hitting rhythms and guitar work are reminiscent of a young Clapton.
Lister began his career when he signed to Ruf Records in 1998. During his time on the label he worked with producers such as Jim Gaines (SRV, Santana) and Greg Haver (Manic Street Preachers) and recorded four studio albums, two live albums and two DVD’s. However, if these earlier albums were Lister making his mark as a well respected blues rock artist, it was when he signed to Manhaton Records in June 2008 that he showed he had more commercial appeal to a bigger audience.
Featuring John Mayer’s guitarist Robbie Macintosh, Equilibrium was released in March 2009 and received rave reviews everywhere. Aswell as doing live sessions for Radio 2’s Bob Harris and Paul Jones, Aynsley was the only British artist to be featured in Classic Rocks review: TOP 10 CONTEMPORARY BLUES ROCK ARTISTS……….alongside The White Stripes, The Black Keys, John Mayer, Jon Spencer, Jonny Lang, Kenny Wayne Shepherd, Joe Bonamassa, Derek Trucks and the North Mississippi Allstars. They also listed Equilibrium in the Top 50 albums released in 2009
His live work has seen him work with a whole host of big names. Earlier in his career it was blues legends such as Buddy Guy, John Mayall and Robert Cray, while more recently he played a sell out tour with Lynyrd Skynyrd when their UK tour visited such venues as Brixton Academy, Manchester Apollo and Birmingham’s NIA.
In June 2010, The Tower Sessions was released. Recorded live at the end of a 45 date European tour this album captures Lister and his band in best ever form. Headlining Glastonbury’s Bourbon Street stage and opening for ZZ Top a week later, this was the perfect platform to release what is a document indeed of Aynsley Lister in his best ever form.